CD Review: 'Heavenly Mozart'

CD Review: 'Heavenly Mozart'

Mozart’s Piano Concerto No 23 K.488 and his Symphony No 41 (‘Jupiter’) have been recorded thousands of times globally over time and with musicological and performance practices various depending on the era. They contain some of the most familiar and treasured sounds in the listening profiles of the general public.

This is all about to change. On just the first listening to this pair of powerhouse works we are supplied with a fantastically fresh new normal of expression. The well-known concerto and symphony are enhanced with new freedoms, a spectacularly new sheen and bristle with the bounce of bold, confident performance practice.

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Don’t miss the chance to listen and relisten to it and to Mozart in a new heavenly light.

Paul Nolan, Sydney Arts Guide

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Local Band Draws on Past to Give Mozart Works a Fresh Coat of Paint

Local Band Draws on Past to Give Mozart Works a Fresh Coat of Paint

An album featuring two of Mozart’s best-loved works, stripped of the rigid performance practices imposed by a Romantic tradition born in the middle of the 19th century and carried on into recordings and recitals of today, has been released by the excellent Australian Romantic & Classical Orchestra (ARCO) through the ABC Classic label.

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This is the second album they have released…and it should open up plenty of ears to a refreshing take on familiar works.

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All in all, this album is a revelation.

Steve Moffatt, Daily Telegraph

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Blue Mountains Gazette: Katoomba trumpeter Jude Macarthur learns from experts at YMS

Blue Mountains Gazette: Katoomba trumpeter Jude Macarthur learns from experts at YMS

Katoomba trumpeter Jude Macarthur recently spent five days learning from the experts in in the Young Mannheim Symphonists (YMS), a course for youth run by the Australian Romantic & Classical Orchestra.

The youth orchestra course brought together 32 music students aged 12 to 23 along with 11 specialist tutors at the Conservatorium High School in Sydney.

It was his first experience with YMS that led him to the valve-less Baroque trumpet.

"I fell in love with it very quickly. You only have your lips and you change the sound by how fast your air is moving."

Jennie Curtin, Blue Mountains Gazette, 11 January 2024

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Australian Book Review: 2023 Arts Highlights

Australian Book Review: 2023 Arts Highlights

I heard both the Alma Moody Quartet and the Australian Romantic and Classical Orchestra live for the first time (ABR Arts, 8/23). The former played Ligeti, the latter Mendelssohn, and both delivered revelations. Mendelssohn’s Scottish symphony seemed more a masterpiece than ever.

Andrew Ford, Australian Book Review (Jan-Feb 2024)

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To Have and To Hold ('Heavenly Mozart' CD)

To Have and To Hold ('Heavenly Mozart' CD)

A vast array of music is available on most people’s phones — there’s no more waiting — and the musical object under the Christmas tree is increasingly a thing of the past. It all adds up to the possibility that music is mattering less.

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For those who still value musical objects (you can also download them if you must) and who have yet to complete their Christmas shopping, allow me a few recommendations…

  • The Australian Romantic and Classical Orchestra’s pairing of Mozart’s Jupiter symphony and his A major piano concerto K. 488 is similarly revelatory, not least for Neal Peres da Costa’s endlessly thoughtful traversing of the solo part. I know this music very well but found myself hanging on every note.

Andrew Ford, Inside Story (15 December 2023)

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Australian Romantic & Classical Orchestra | Heavenly Mozart

Australian Romantic & Classical Orchestra | Heavenly Mozart

This is not just another Mozart CD.

‘Heavenly’ is a title well-merited, and I encourage listening with good quality equipment and scores to hand for an enhanced experience. The Australian Romantic & Classical Orchestra’s considered analysis of Mozart’s scores and detailed attention to late C18th playing techniques results in bold, enterprising and singularly meaningful readings, encapsulating the music’s power, spirit, refinement and sheer beauty.

The collective playing is a revelation, exhibiting exemplary ensemble and ravishing sonorities, capturing the essence of Mozart’s intentions most convincingly. Performances such as these put Australia at the very forefront of the HIP movement. 

Jane Downer, ClassikON, (19 November 2023)

Image: Robert Catto

Sounds Like Sydney: 'Heavenly Mozart' Review

Sounds Like Sydney: 'Heavenly Mozart' Review

Whether for pure enjoyment or to discover two of Mozart’s masterpieces at deeper levels, Heavenly Mozart is a winner. The performances of ensemble and soloist are informed, exhilarating and bold but never excessive.

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Beesley, as concertmaster, conducts a cohesive and exciting instrumental ensemble of 29 musicians playing period and replica instruments which date from 1753 to the present. Peres Da Costa, with all the skills of a specialist, plays a distinctive 2022 Viennese-action fortepiano made by Paul McNulty in the Czech Republic, modelled on a Viennese instrument by Walter and Sohn c 1805.

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Joyful listening apart, this performance is an erudite look retrospective to the salons of Mozart’s lifetime.

Shamistha da Soysa, Sounds Like Sydney (14 November 2023)

Torch: Clarinettist, 12, learns maestro secrets

Torch: Clarinettist, 12, learns maestro secrets

Young musicians aged 12 to 23, including Belfield resident and clarinetist Dan-Que Nguyen, have gathered at the Conservatorium High School for the Young Mannheim Symphonists 2023 NSW Intensive with a spectacular concert as the finale.
The Australian Romantic & Classical Orchestra held its latest youth orchestra course as part of its popular Young Mannheim Symphonists, co-directed by Rachael Beesley and Nicole van Bruggen, which gives gives students a chance to experience first-hand the excitement of discovering music through the lens of historical performance style (HIP).

The Torch (3 November 2023)

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Image: Robert Catto

Hawkesbury Phoenix: Emerging Musicians Meet for Inspiration, Education and Fun

Hawkesbury Phoenix: Emerging Musicians Meet for Inspiration, Education and Fun

The Australian Romantic and Classical Orchestra held its latest youth orchestra course as part of its popular Young Mannheim Symphonists.

This five-day music fest – held at the Conservatorium High School in Sydney – culminated in a splendid celebratory concert.

There were 32 music students aged between 12 and 23 years of age, from conservatoriums and universities in Adelaide, Canberra and Melbourne, as well as metropolitan and regional NSW schools, in attendance, along with 11 professional specialist tutors, and the final public concert featured repertoire they had prepared throughout the week.

Hawkesbury Phoenix (1 November 2023)

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Image: Robert Catto

Centenary Today: Young Musicians Conclude Inspiring Music Intensive in Melbourne

Centenary Today: Young Musicians Conclude Inspiring Music Intensive in Melbourne

The Young Mannheim Symphonists 2023 Intensives brought together 32 music students between the ages of 12 and 23, hailing from various corners of the country, including Brisbane, Adelaide, Canberra, and many more. The participants were joined by 11 professional specialist tutors, all eager to share their expertise and passion for classical and romantic music.

These young musicians are not only dedicated to their craft but are also pursuing their education at institutions such as the ANU, TAFE Queensland, University of Queensland, Elder Conservatorium, and Prince Alfred College Adelaide.

Centenary Today (26 October 2023)

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Image: Robert Catto

Canberra City News: Intensive Learning for Young Musicians

Canberra City News: Intensive Learning for Young Musicians

Gifted Canberrans were among the young musicians who gathered recently at the Conservatorium High School in Sydney for the Young Mannheim Symphonists 2023 NSW Intensive.

Among those participating in the course and a public concert finale conducted by Rachael Beesley were violinist Rove Leske, from Florey, and trumpeter Jess Hill, studying at the ANU.

Helen Musa, Canberra City News (26 October 2023)

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Image: Ken Nakanishi

Limelight: ARCO 10 Years and Counting Article

Limelight: ARCO 10 Years and Counting Article

The Australian Romantic & Classical Orchestra celebrates its first 10 years with its most ambitious touring project to date.

The life of a musician is inextricably bound up with travel. This year, the Australian Romantic & Classical Orchestra celebrates its first 10 years with its most ambitious touring project to date; Midsummer Dreams, an east coast tour with 41 musicians on the road playing venues in Brisbane, Canberra, Melbourne, Newcastle and Sydney.

Jason Blake, Limelight (3 August 2023)

Image: Bradley Kanaris

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Cheers to Ten Years!

Cheers to Ten Years!

We're celebrating our 10th anniversary! It's been 10 years of innovation, triumph, meeting challenges and creating a world-class national orchestra. To celebrate this decade, the Australian Romantic & Classical Orchestra co-directors, musicians, board, staff and supporters met to raise a glass together after our final concert of the "Midsummer Dreams" tour at The Concourse, Chatswood. Thank you to everyone who was there with us, and happy birthday, ARCO!

Weren't at the party? Here's what was said by our fabulous co-directors Rachael Beesley and. Nicole van Bruggen…

Image: Robert Catto

Click here to read the full speech and see the photo gallery 

classikON: Midsummer Dreams Review

classikON: Midsummer Dreams Review

Australian Romantic & Classical Orchestra – Simply put, a treat

…The artistic direction of the orchestra is shared by Rachael Beesley and Nicole van Bruggen and their dedication to detail and the authentic performance of these works is to be highly commended.

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Beginning with the four delicate woodwind chords in the overture, we were treated to a sense of expectation for the whole concert with excellent intonation and balance…

Peter Hagen, classikON , 8 August 2023

Photo: Ken Nakashini

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Australian Arts Review: Midsummer Dreams Review

Australian Arts Review: Midsummer Dreams Review

…Nor was it difficult to be captivated by the conducting of the Australian Romantic & Classica Orchestra’s co-Artistic Director, Rachael Beesley, who conducted each of the works from her violin…

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For this final Canberra concert in its 2023 10th Anniversary season, presented in Canberra’s historic Albert Hall, the Australian Romantic & Classical Orchestra offered a dazzling performance of works by Mendelssohn and Beethoven for which it had gathered together 41 of Australia’s finest early music exponents.

Bill Stevens OAM, Australian Arts Review (3 August 2023)

Image: Peter Hislop

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Canberra City News: Midsummer Dreams Review

Canberra City News: Midsummer Dreams Review

The Australian Romantic & Classical Orchestra treated the audience to a special program of Mendelssohn and Beethoven.

Opening with Mendelssohn’s “Overture to A Midsummer Night’s Dream, Op.61”, a shimmering array of chords were elegantly played by the woodwinds. They were then suddenly whisked away in the wind by the strings who entered with a gentle whisper, gradually intensifying into a wonderful, almost dance-like theme. The musical line was then developed throughout the orchestra and was concluded by the repetition of the crystal-clear intonation of the opening chords in the woodwinds.

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They are like a magical, musical engine; made up of many individual parts but operating as one whole. The virtuosity of the entire orchestra was remarkable

Canberra City News (2 August 2023)

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Limelight: Midsummer Dreams Review

Limelight: Midsummer Dreams Review

For this concert, the Australian Romantic & Classical Orchestra boasted musicians from all Australian states and territories together with several Australian expats from all over Europe and the USA, and what a fine band it was for this first concert of the Orchestra’s current eastern seaboard tour.

Titled Midsummer Dreams, the program opened with Mendelssohn’s Overture to A Midsummer Night’s Dream, followed by two symphonies: Beethoven’s 8th, with Mendelssohn’s 3rd, Scottish, following interval.

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Again, leading from the violin, Beesley produced some very refreshing interpretations of volume, note values, phrasing and timing. Like the Overture, Beesley led at a lively tempo all the way through. The orchestra responded superbly to every one of her calls of expression, colour and textures.

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…with sustained applause for the Australian Romantic & Classical Orchestra. Its founder, the late Richard Gill, would have been proud.

Clinton White, Limelight (31 July 2023)

Photo: Bradley Kanaris

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Australian Romantic & Classical Orchestra: New Perspectives

Australian Romantic & Classical Orchestra: New Perspectives

A terrific concert by the Australian Romantic & Classical Orchestra, streamed by the Australian Digital Concert Hall from the Ian Potter Centre for Performing Arts in Melbourne.

Featuring  guest leader US violinist Jenna Sherry, we heard two works finely played…All the instruments come together to create a deliciously captivating concert.

  • Lynne Lancaster, Sydney Arts Guide (23 June 2023)

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Australian Romantic & Classical Orchestra, absolute masters

Australian Romantic & Classical Orchestra, absolute masters

…a performance of abundant energy and great refinement….

These nine musicians are absolute masters of their instruments and masters of the music they performed. There was such unanimity in their phrasing and a common intent providing ensemble playing of the highest order.

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The whole performance was of such a high standard that I have nothing but praise for all the musicians.

  • Peter Hagen, ClassikON 12 June 2023

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