Hear Bach’s iconic St Matthew Passion through Romantic ears in a recreation of the concert that sparked the 19th-century Bach revival. The Australian Romantic & Classical Orchestra, led from the violin by Rachael Beesley, partners with Sydney Philharmonia Choirs conducted by Elizabeth Scott in an illuminating performance of Mendelssohn’s 1841 version – Australia’s first-ever on rare historical instruments.

Thursday 17 April | 7.00pm
Sydney Opera House Concert Hall

ARTISTS

Elizabeth Scott, conductor
Penelope Mills, soprano
Emily Edmonds, mezzo-soprano
Andrew Goodwin, tenor (Evangelist)
Teddy Tahu Rhodes, baritone (Christus)
Andrew O’Connor, bass
VOX and Chamber Singers

Australian Romantic & Classical Orchestra, led from the violin by Rachael Beesley

A world without the music of Johann Sebastian Bach seems unimaginable. But it wasn’t always so. After his death, Bach was largely forgotten, of purely academic interest, until an enthusiastic young composer, Felix Mendelssohn, decided to revive his reputation. And he did it with a monumental performance of the St Matthew Passion, a century after its premiere in 18th-century Leipzig.

In this Australian premiere, we’re performing Mendelssohn’s version of this masterwork, transformed for 19th-century audiences and Romantic ears – and for the first time in Australia, on period instruments with historically informed performance. This version is shorter with a tighter narrative, but expanded in volume and colour. It includes sounds Bach might only have imagined, with clarinets and basset horns added to the orchestra, a substantial organ part, and richer textures. It’s beautiful Baroque, lightly painted with lush Romantic colours.

This is a rare opportunity to experience, two centuries on, how another generation of music lovers came to discover the genius of Bach.